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We become voyeurs on an exploration of myth, ideology, sexuality, and identity, going through as much of a revelation as the male lead does when personal ideology impacts with truth.An emotionally touching, beautiful tale of love, that is filled with a sense of melancholy and moodiness, and yet never falls into melodrama or self-pity. But then again, this is a film about relationships, relationships that consist of little more than sex...First and foremost, yes, there is a lot of explicit sex and it is as explicit, but fortunately not nearly as unrelenting, as many pornographic films.The pair fondle each other's genitals, masturbate, there is a footjob in the tub, there is vibrator action, penetrative vaginal sex as well as fellatio and cunnilingus.

From cuts details on IMDb : This version is uncut and includes the scenes with the main characters as young boys examining each other's genitals (this scene is much less graphic than many believe), and the prostitute masturbating Robert De Niro and Gerard Depardieu.Their relationship is depicted throughout in a graphic and unflinching fashion, both psychologically and physically.The BBFC has permitted comparable explicit images in a number of previous features at the '18' level (eg L'EMPIRE DES SENS, 9 SONGS, SHORTBUS and Lars von Trier's earlier film, THE IDIOTS) where it has been clear that the purpose of the work - and the individual images in question - is not simply to arouse viewers but to illustrate characters, relationships and themes.it only seems natural that the intimacy should be given its fair share of screen time.Still, the sex never threatens to overwhelm the rest of the film - this is no soft-porn dressed up as art, by any means.At '18', the BBFC's Guidelines state that the more explicit images of sexual activity are unlikely to be permitted unless they can be exceptionally justified by context and the work is not a 'sex work'.A 'sex work' is defined as a work whose 'primary purpose is sexual arousal or stimulation'.It is clear that ANTICHRIST is not a 'sex work' but a serious drama exploring issues such as grief, loss, guilt and fear.The brief images of explicit real sex (sight of a penis penetrating a vagina during a consensual sex scene and sight of the man's penis being masturbated to climax) are exceptionally justified, in this context, by the manner in which they illustrate the film's themes and the nature of the couple's relationship.Neither O'Brien nor Stilley are typically attractive in the Hollywood, plastic, overly-made-up artificial sense of the word; rather they are real and human, and beautifully imperfect.And so the sex (despite it being so truly believable that at times I almost thought I was watching myself! Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro).

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